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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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III. John Thomson’s footprints in Formosa

John Thomson published Through China: with a Camera in 1898. Through his words and photographs, we can feel a western traveler’s feelings of his first visit in Taiwan. The hearsay of the aboriginal people in Taiwan could not stop Thomson’s curiosity toward them. However, his voyage to Taiwan was not easy since passing through the Taiwan Strait has never been an easy thing. Even worse, a Malaysian sailor told him that their ship might hit a reef and there were headhunters living on the island. Even though the rumors sounded scary, John Thomson still wanted to see Formosa in person. In fact, these rumors were actually from the incidents and conflicts between Japan and China at that time. In the end, the rumors affected John Thomson, causing him to change his traveling plans in Taiwan. After John Thomson and Dr. Maxwell reached the Port of Takao (Kaohsiung) in the early April in 1871, they soon met a Scottish pastor, Hugh Ritchie, who had been doing his missionary work in Takao. Hugh Ritchie told them that it was not safe to stay in the southern Taiwan so that John Thomson gave up on the idea of visiting the aboriginal peoples living there. He followed Dr. Maxwell and went northbound to Taiwan Prefecture and the areas where Taiwanese plain aborigines lived. They ended up visiting Bama (Zuojhen), Muzha (Neimen), Ganzailin, Jiaxianpu, (Jiaxian), Paozailiao, Laonong, and Liuguili. John Thomson used his camera to capture the images of the Taiwanese plain aborigines and the natural landscapes in Taiwan within a week.(see Figure 1 & 2)

Figure 1:The image of Neimen District of Taiwan through John Thomson’s lens
(Source:Through China : with a camera, the digital archives of the Archives of Institution of Taiwan History)
Figure2: The image of Laonong District of Taiwan through John Thomson’s lens
(Source:Through China : with a camera, the digital archives of the Archives of Institution of Taiwan History)


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