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Cross-Boundary Dream Pursuers: Taiwanese Painters’ Trajectories in Foreign Countries during the Japanese Colonial Period

Publication date: 22 Apr 2019
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

On the Open House day in 2018, the Archives of the Institute of Taiwan History featured an exhibition, Travel Memories II—Taiwanese Painters’ Landscape Sketches, from digital records collected by the Archives in recent years. This exhibition selected four Taiwanese painters, Yen Shui-long, Liu Chi-hsiang, Chen Cheng-po, and Kuo Hsueh-hu, by presenting the records of their passports, certificates, photographs, correspondence, and paintings and exploring their life experiences of practicing goals, embarking on adventures abroad, and contributing to society. Let us trace the senior painters’ paths of crossing borders and pursuing dreams by appreciating these precious records and the abundant colors in their paintings!

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III. Lin’s Footsteps in Denmark

On October 27, Lin Xian-tang visited Copenhagen, Denmark. That day was a drizzling day. Lin and his sons toured all over the Langelinie Park. In the park, there is a bronze statue featuring a large-scale group of animal figures being driven by the Norse goddess Gefjon, which shows the importance of agriculture for Denmark. Because of the Gefjon Fountain, Lin Xian-tang figured out the reasons why the industrial development was not thriving in Denmark. That was because Denmark did not produce needed resources, which were coal and iron, for its industrial development. Many countries developing their manufacturing industry well had fewer agricultural resources; while Denmark’s agricultural exports were enough to support a country. Even though Denmark was a small country, people were able to be self-sufficient. As a result, people in Denmark did not have to join the competition in the international market. They were just happily being themselves. In addition, Lin also saw the famous little mermaid statue on the rock, which colored the beauty of the scenery by the seaside. (see Figure 5)

Figure 5: The Diary of Mr. Guan-yuan on October 27, 1927.
(Source: The Diary of Mr. Guan-yuan, the digital archives of the Archives of Institution of Taiwan History)


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