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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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VI. References
  1. Lin Yu-chun. Taiwanese Pioneers Entering the World Stage--Painters Studied in France in the Japanese Colonial Period. MA Thesis. Taipei: National Taiwan University, 1991.
  2. Yeh Si-fen. Taiwan Fine Arts Series 14: Chen Zhi-qi. Taipei: Artist Magazine, 1995.
  3. Yen Chuan-ying. A Guide for Reading Taiwan Modern Art Historical Materials. Taipei: Lionart, 2001.
  4. Sun Chun-mei. “Liu Chi-hsiang’s life of learning painting when studied in Paris in the 1930s.” http://elearning.kmfa.gov.tw/liu/p5-2.htm. Browsed on February 23, 2019.
  5. Lei Yi-ting ed. Close to the Public and Beautify Taiwan: Yen Shui-long. Taipei: Taipei Fine Arts Museum, 2012.
  6. Qiu Han-ni. “Reinvestigate Chen Cheng-Po’s ‘Shanghai Period.’” Walking through Jiangnan: Chen Cheng-Po’s Journey of Exploring Art, edited by Lin Yu-chun and Lee Wei-fen. Taipei: Taipei Fine Arts Museum, 2012, pp. 32–49.
  7. Omuka Toshiharu. “The Painter and Writer who cross Siberia: Minao Shimamura and Fumiko Hayashi’s Art Life in Paris.’” Formosa in Formation, edited by Lin Yu-chun. Taipei: Taipei Fine Arts Museum, 2012, pp. 30-59.

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