01/07 (Wed)
Opening Hours 9:00-17:00
Author: The Archives of Institute of Taiwan History
The development of Guanxi area began in 1791, when Wei Agui of Zhuqian Village arrived the east side of Xinpu. This collection comprises land records, personal contracts, licenses, and allotment agreements among devisees of the Zhang family of Hudu Village, as well as relevant documents about Wei Agui’s offspring. It is a source for understanding the development of Guanxi area, especially the developing trace of the Zhang family, the uniqueness of Hakka written language, and the early interactions between the plain aborigines and the Han settlers. Besides, these documents are precious for studying women’s life from the late Qing to the early Japanese colonial period.
VII. Bibliography
(by order of publication date)
1. Hsing-Yueh, Lin. “Taiwanese Artist Groups and Developments,” in Annual of Arts in Taiwan, Taipei: Hsiung Shih, 1989, pp. 513-520
2. Chuan-Ying, Yen. “Art and Literature Movements in the 1930s.” Collected Papers of International Conference for Taiwanese History during Japanese Colonial Rule, Department of History, National Taiwan University, 1993, pp. 535-547
3. Chuan-Ying, Yen. “The Division and End of Later Art during Japanese Colonial Rule.” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 17-28.
4. Po-Ting, Lin. “The Activities of Artist Groups during Japanese Colonial Rule.” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 231-242.
5. Chi-Hui, Huang. “War and Art: Art Activities and Painting Styles during 1937 - 1945 in Taiwan” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 265-289.
6. Chuan-Ying, Yen. A Chronology of Important Art Events in Taiwan, Taipei: Hsiung Shih, 1998.
7. Lifa, Shaih. Taiwanese Art Movement under Japanese Ruling. Taipei: Artist Magazine, 1998.
8. Jin-Yuan, Liao. “The Sendan Group - Painter Gobara Koto.” Artist Magazine, 299 (2000.04) pp. 388-400.
9. Chuan-ing, Yen, translator. The Mood of Landscape: Modern Taiwanese Art Literature Study Guide. Taipei: Hsiung Shih, 2001.
10. Qingshui liu ran ju: Yang Zhaojia liu zhen ji, edited by Chang Yen-Hsien and Chen Tsun-Shing, Taipei: Wu San-lien Foundation for Taiwan Historical Materials, 2003.
11. Zhao-Jia, Yang. The Memoirs of Yang Zhao-Jia. Taipei: Sanmin, 2004.
12. Chen-Ching, Lin. Explore and Discover: Taiwanese Art History in Microcosm. Taipei: Bo Young Cultural Co., 2014.
13. Recreating Chiayi the Capital of Painting ‧ 2015 - New Look Exhibition of the Chun Meng Painting Society and Ink-and-color Paintings, edited by Fang Chien-Ju, Chiayi: Cultural Affairs Bureau, Chiayi City, 2015.
14. Min-Shyan, Lim. “Aggregation & Blooming: Artists Groups and the Development of Fine Arts in Taiwan,” in Aggregation & Blooming: Artists Groups and the Development of Fine Arts in Taiwan, edited by Tsai Chao-yi, Taichung: National Taiwan Museum of Fine Arts, 2017, pp. 10-43.
15. Song-Nian, Kuo. Home Gazing: My Father Kuo Hsueh-Hu’s Life in Art. Taipei: Marco Polo Press, 2018.
16. Historical Compilation of Artist Groups in Taiwan 1: Artist Groups in Japanese Colonial Period (1895 - 1945), edited by Artist Magazine, Taipei: Artist Magazine, 2019.
17. Lin, Mun-Lee, et al. The Everlasting Bloom: Rediscovering Taiwanese Modern Art. Taipei: National Taipei University of Education, 2020.
|
|
