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Listening to the World Locally – The Homecoming Tour of Taiwanese Musicians

Publication date: 20 Aug 2024
Author: Lee Yi-ling, Wang Li-Chiao | Staff member at the Archives of Institute of Taiwan History

Ninety years ago, in August 1934, a group of young Taiwanese musicians embarked on the first Western music concert tour in Taiwan’s history. The Homecoming Concert Tour began with great fanfare during the scorching summer of the South Island, kicking off at the Taipei Medical School Auditorium. With a packed itinerary, the tour traveled southward, stopping at public assembly halls in Hsinchu, Taichung, Changhua, Chiayi, and Tainan, before culminating in a final performance at the Kaohsiung Youth Hall. Despite the demanding schedule, the musicians delivered exquisite piano melodies and harmonies to audiences across Taiwan, sparking widespread acclaim.

This article focuses on Taiwan’s first “Homecoming Concert Tour,” which was rapidly organized in just over a month. The program primarily featured Western musical compositions. During the scorching summer of the South Island, this grand musical feast unfolded with enthusiasm, traveling from north to south with seven performances. It offered audiences across Taiwan an auditory delight, broadened their horizons, and brought Western music closer to the local population. This tour marked the beginning of Taiwan’s musical diversity and led to Taiwan’s music being recognized on the Olympic stage, where Taiwanese music shone brightly on the global scene.

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X.Conclusion

Publication of the newspapers series including The Taiwan Minpao, The Taiwan Shinminpo and the subsequent Kounan Shinbun (Kounan News) spanned from 1923 to 1944. It was in April 1932 when The Taiwan Shinminpo became a daily that Taiwanese finally had a newspaper they considered their own and of significant meaning to them. In contrast to the fortnightly, 10-day and weekly versions, the daily edition enabled more effective dissemination of thoughts and opinions to the general public. Although with some issues missing, the collection of The Taiwan Shinminpo and Kounan Shinbun (Kounan News) at our Institute is currently the most complete and exclusive. This article is a comprehensive review of this single newspaper founded by the Taiwanese, from the layout format and language use to main contents and subject matters covered in the columns. Moreover, it further analyzes the particularity and variations in content materials as time evolved.

The main contents of the daily included news, commentaries, columns, and advertisements. Besides reporting on domestic and foreign events and local news, it also had rich contents on arts and literature. In addition, the columns on each page carried in-depth thematic contents, including editorials, features of local events and the industries, as well as financial and legal information. Further observation revealed the changes in reporting and choice of contents with political developments as time evolved. From 1938 onward with the war intensifying, it became increasingly difficult for Taiwanese to express their opinions and to fight for their rights; and the way of reporting was accordingly adjusted. In line with the southward advance of the Japanese military and the national kōminka (Japanization) policy, the number of pages was reduced and the commentary and tone became different. The reports were mainly updates on the war and most of them became the mouthpiece of the colonial government. Some reports were even inconsistent with historical facts. In addition, most columns were phased out, reflecting the curtailment of media freedom and official control on speech during World War II. The changes in content of The Taiwan Shinminpo reflect that the newspaper does not equate society and historical reality but is a media product, influenced by the external environment and constructed by internal decisions, involving the political parties behind the newspaper and its political stance, business nature and ideology.


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