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Archives Related to the February 28 Incident and the White Terror

Publication date: Feb 2017
Author: Hsieh Min-ro |Staff member of the Archives of Institute of Taiwan History

2017 marked the 70th anniversary of the February 28 Incident and 30 years since the martial law was lifted. Although the February 28 Incident and the White Terror are not forbidden topics in Taiwan society, many relevant archives are yet to be acquired and disclosed. Since its establishment, the Institute of Taiwan History has striven to collect folk papers, such as the following records related to the February 28 Incident and the White Terror: Historical Materials Related to the February 28 Incident and White Terror, Yang Zhao-jia Collection, Chen Cheng-po Paintings and Papers, Yeh Sheng-ji Papers, Chen Wen-xing Papers, Chen Zhong-tong Papers, The Diary of Lin Xian-tang, and The Diary of Wu Xin-rong.

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Listening to the World Locally – The Homecoming Tour of Taiwanese Musicians
Listening to the World Locally – The Homecoming Tour of Taiwanese Musicians

Publication date: 20 Aug 2024
Author: Lee Yi-ling, Wang Li-Chiao | Staff member at the Archives of Institute of Taiwan History

Ninety years ago, in August 1934, a group of young Taiwanese musicians embarked on the first Western music concert tour in Taiwan’s history. The Homecoming Concert Tour began with great fanfare during the scorching summer of the South Island, kicking off at the Taipei Medical School Auditorium. With a packed itinerary, the tour traveled southward, stopping at public assembly halls in Hsinchu, Taichung, Changhua, Chiayi, and Tainan, before culminating in a final performance at the Kaohsiung Youth Hall. Despite the demanding schedule, the musicians delivered exquisite piano melodies and harmonies to audiences across Taiwan, sparking widespread acclaim.

This unprecedented concert was organized by the Tokyo Taiwanese Association and co-organized by the Taiwan Shinminpo news agency. Yang Zhao-jia (楊肇嘉), the tour leader, was the driving force behind the event. He assembled an exceptional group of talents, including Jiang Wen-ye (江文也), who later gained international recognition as a composer, and Gao Ci-mei (高慈美), Taiwan’s first female piano professor. Yang Zhao-jia’s pivotal role in the tour is well-documented in two invaluable private archives preserved by the Academia Sinica’s Institute of Taiwan History Archives: the Yang Zhao-jia Collection (LJK) and the Gao Ci-mei Papers (3GCM). These archives provide detailed records and precious photographs of the performances.

This article focuses on Taiwan’s first “Homecoming Concert Tour,” which was rapidly organized in just over a month. The program primarily featured Western musical compositions. During the scorching summer of the South Island, this grand musical feast unfolded with enthusiasm, traveling from north to south with seven performances. It offered audiences across Taiwan an auditory delight, broadened their horizons, and brought Western music closer to the local population. This tour marked the beginning of Taiwan’s musical diversity and led to Taiwan’s music being recognized on the Olympic stage, where Taiwanese music shone brightly on the global scene.


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