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Convergence of Nature and Culture: Seeing Tamsui through Artists’ Eyes

Publication date: 09 Oct 2018
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

Surrounded by mountains and a river, Tamsui, which used to be called “Hobe”, has always attracted senior artists in Taiwan. Exotic and traditional buildings left by the Dutch, Qing Dynasty, and Japanese feature in its historic characteristics, attracting wandering literati. Artists are also inspired by this historic town. The paintings of Tamsui are a spectacular page of Taiwan’s art history. By following in the steps of Taiwanese artists Chen Zhi-qi, Chen Cheng-po, and Yen Shui-long, let us start a journey through Tamsui across time and space!

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Du Xiang-guo Papers (杜香國文書)
Du Xiang-guo Papers (杜香國文書)

Author & Photo: The Archives of Institute of Taiwan History

Du Xiang-guo (杜香國, 1893-1947) was a member of local gentry and industrialist in Dajia Town, Taichung County. His father, Du Qing (杜清, 1869-1937), was dedicated to improving quality of Dajia Straw hats and mats and exporting them to Europe and the United States. Being a successor of his father’s business, Du Xiang-guo was active in manufacturing and financial industry. The Du Xiang-guo Papers, with coverage date from 1908 to 1946, contains his correspondence on business matters, diaries during attending schools, and literary works.


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