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Convergence of Nature and Culture: Seeing Tamsui through Artists’ Eyes

Publication date: 09 Oct 2018
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

Surrounded by mountains and a river, Tamsui, which used to be called “Hobe”, has always attracted senior artists in Taiwan. Exotic and traditional buildings left by the Dutch, Qing Dynasty, and Japanese feature in its historic characteristics, attracting wandering literati. Artists are also inspired by this historic town. The paintings of Tamsui are a spectacular page of Taiwan’s art history. By following in the steps of Taiwanese artists Chen Zhi-qi, Chen Cheng-po, and Yen Shui-long, let us start a journey through Tamsui across time and space!

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Our Special Collections
Records of Guanxi Region

Author: The Archives of Institute of Taiwan History

The development of Guanxi area began in 1791, when Wei Agui of Zhuqian Village arrived the east side of Xinpu. This collection comprises land records, personal contracts, licenses, and allotment agreements among devisees of the Zhang family of Hudu Village, as well as relevant documents about Wei Agui’s offspring. It is a source for understanding the development of Guanxi area, especially the developing trace of the Zhang family, the uniqueness of Hakka written language, and the early interactions between the plain aborigines and the Han settlers. Besides, these documents are precious for studying women’s life from the late Qing to the early Japanese colonial period.

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